The history and politics of the English protest song

ca. 1880

What Ho! My Lads

Tune: Auld Lang Syne or Partant pour la Syrie
Lyrics: James Leigh Joynes

What ho! my lads, the time is ripe,
Away with foolish fear!
The slave may dread his master’s stripe,
We’ll have no tyrants here!
We’ll have no tyrants here, my boys.
No lords to rule the roast;
Their threats are nought but empty noise,
And nought but breath their boast.

Nor slaves nor kings in all our ranks
Shall evermore be found;
Elsewhere the knaves may play their pranks
But this is holy ground—
But this is holy ground, my friends,
Where Freedom’s cause is won,
Where tyrants all shall make amends
For all the wrong they’ve done.

In our Republic all shall share
The right to work and play;
The right to scoff at carking care,
And drive despair away—
Drive poverty away, my mates,
With struggle, strain and strife:
What use are Parliaments and States
Without a happy life?

When Hunger holds a harmless rod,
And all lands laugh for glee,
And none need fear a master’s nod,
And all are really free—
When all indeed are free, my hearts,
And our great Cause is won,

Oh, then, when Poverty departs,
Will all our work be done.

Lyrics

James Leigh Joynes was that rarest thing, a socialist Master at Eton. He wrote this song to fit two famous, rousing, radical tunes, ‘Auld Lang Syne’ and ‘Partant pour la Syrie’, in order to broaden its reach – and he succeeded: it was sung as far afield as New Zealand and Pennsylvania. The lyrics are typical of a muscular, Victorian, Christian masculinity, but are distinguished by their explicit vision for a republican future.

Cause: Republican | Socialist
Theme: Political Process | Impact of Change | Rights
Addressed to: Men
Target of Protest: The Ruler | Aristocracy
Proposal/Solution: Republicanism | Organisation