After 1716
| Tune: | Original |
| Lyrics: | Unknown |
The king he wrote a love-letter,
And he sealed it up with gold,
And he sent it to Lord Derwentwater,
For to read it if he could.
The first two lines that he did read,
They made him for to smile;
But the next two lines he looked upon
Made the tears from his eyes to fall.
‘Oh’, then cried out his lady fair,
As she in child-bed lay,
‘Make your will, make your will, Lord Derwentwater,
Before that you go away’.
‘Then here’s for thee, my lady fair,
[My true and lawful wife,]
A thousand pounds of beaten gold,
To lead you a lady’s life'.
...
... his milk-white steed,
The ring dropt from his little finger,
And his nose it began to bleed.
He rode, and he rode, and he rode along,
Till he came to Westminster Hall,
Where all the lords of England’s court
A traitor did him call.
‘Oh, why am I a traitor?’ said he;
‘Indeed, I am no such thing;
I have fought the battles valiantly
Of James our noble king’.
O then stood up an old gray-headed man,
With a pole-axe in his hand:
‘’Tis your head, ’tis your head, Lord Derwentwater,
’Tis your head that I demand’.
...
His eyes with weeping sore,
He laid his head upon the block,
And words spake never more.
This lesser-known version of a famous ballad at first seems timeless, with its familiar ‘love-letter’, ‘thousand pounds of beaten gold’, and ‘milk-white steed’. Its similarities to songs like ‘Sir Patrick Spens’ (an ‘ancient’ ballad contrasting a loyal servant with a bad king) reinforce the motif of a good man doomed by a wicked king. This lends its topical protest, against the Jacobite conspirator Lord Derwentwater’s execution for treason, the qualities of legend for supporters of the Stuarts.
| Cause: | Jacobite |
| Theme: | Political Process | War and Peace |
| Target of Protest: | The Ruler | Political Faction |